Ebook The Goshawk (New York Review Books Classics), by T. H. White

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The Goshawk (New York Review Books Classics), by T. H. White

Ebook The Goshawk (New York Review Books Classics), by T. H. White

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Review

"Sports such as ferreting and falconry show the extent to which people are prepared to risk pain and injury in order to enter the world of other species. The arduous experience of training a falcon to accept a person as a perch forms the character both of the bird and its keeper. The experience has been vividly described by TH White in The Goshawk and no reader of that book can doubt that country sports are as unlike human games as wine is unlike water. They do not satisfy some ordinary need for exercise and diversion, any more than wine quenches thirst. They answer to a deeper yearning and intoxicate us with the scent of other worlds. They open a door into the natural life of species: not the pretend life that is imposed on the domestic pet, but the real life that was ordained by nature. Hence the ritual and hence the joy. These sports are genuine rites of passage, which guide us into the world of other animals and help us to know it from within, as a world of instinct, awe and miracles." --The Observer“The book chronicles the ambivalent relationship between White, author of The Once and Future King, and the hawk he trained. Their battle of wills ‘gives the book its peculiar charm.’” –The New York Times"It is comic; it is tragic; it is as primal and original as a great wind…it must be ranked as a masterpiece." –Guy Ramsey, Daily Telegraph (UK)"A reader who cannot tell a hawk from a handsaw may be swept along by the storm of emotion which blows between the man and his bird, and by the freedom and richness of the romantic treatment of the variations." –Lord Kennet, Sunday Times (UK)“The arduous experience of training a falcon to accept a person as a perch forms the character both of the bird and its keeper. The experience has been vividly described by TH White in The Goshawk…” –The Guardian (UK)“What one man discovered about hawks, and himself, when he set out to learn the medieval art of hawking.” –Time Magazine, “Recent and Readable”A “wonderful, classic account of training a bird of prey.” –The Daily Mail “It’s a strange, eccentric book about [T. H. White’s] attempt to train his first goshawk. It displays an absolute love for the English countryside that I immediately recognized.” –The Mail on Sunday (UK)“In his 1996 introduction, Stephen Bodio writes: ‘This is a book about excruciatingly bad falconry. It is the best book on falconry, its feel, its emotions, and its flavor, ever written.’ Those oddly juxtaposed statements are exactly on the mark. A classic.” –The Buffalo News“This is a nature classic, conceived against the background of the second World War…a warm and instructive story.” –Sunday Times (UK)

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From the Back Cover

The Goshawk chronicles a concentrated duel between the author and a great hawk. It is the journal of an intense clash of wills - during the bird's training - in which the pride and endurance of the wild raptor are worn down by the insistent willpower of the falconer. The story is by turns comic and tragic - and it is all-absorbing. (5 1/2 X 8 1/4, 222 pages, diagrams)

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Product details

Series: New York Review Books Classics

Paperback: 240 pages

Publisher: NYRB Classics; Main edition (October 2, 2007)

Language: English

ISBN-10: 1590172493

ISBN-13: 978-1590172490

Product Dimensions:

5 x 0.6 x 8 inches

Shipping Weight: 8.8 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

58 customer reviews

Amazon Best Sellers Rank:

#203,589 in Books (See Top 100 in Books)

I would not have known about T. H. White's memoir of trying to train a goshawk were it not for Helen Macdonald's wonderful analysis in H IS FOR HAWK, her recent account of training her own hawk. White, as he himself admits, does a lot of things wrong: feeding the bird far too much, for example. This horrifies Macdonald, and I expected it to horrify me too. But, because he is unaware of his mistakes at the time, what comes over has no cruelty in it whatsoever; frustration and occasional despair, yes, but otherwise just the very honest account of a lonely man's struggle to bond with this wild creature of the air.And beautifully written! Which surprised me a little, but I should have realized that the author of THE ONCE AND FUTURE KING (the source for CAMELOT and an inspiration for HARRY POTTER) would have pretty strong chops. But again, the amazing quality of Helen Macdonald's writing -- easily the best I had read all year -- had made me assume that no one could equal her. Wrong again! In fact, I realized that by embracing the comparison with White, Macdonald was writing for her life. "Goshawks were Hamlet, were Ludwig of Bavaria," writes White. "Frantic heritors of frenetic sires, they were in full health more than half insane. When the red rhenish wine of their blood pulsed at full spate through their arteries, when the airy bird bones were gas-filled with little bubbles of unbiddable warm virility, no merely human being could bend them to his will." For both writers, the elemental wildness of their captor-captive stirs them to flights of verbal magnificence on virtually every page. White, a former schoolmaster, calls upon a huge vocabulary -- words like banting, nasconded, silurian, circumbendibus, and perdue -- in addition to the technical language of falconry used by both writers: austringer, jesses, creance, bate, stoop, yarak, and the like. A further subliminal interest in White's writing is that this is the late 1930s, dictators every bit as imperious as White's hawk are flexing their talons over in Europe, and the idea of aerial combat to the death is no longer confined to the world of birds.The book is brilliant. But I have to say it is also a little boring. Good though White's writing is on the individual page, he is not nearly as good as Macdonald at giving the reader a sense of his progress overall. Perhaps because his mistakes are always sending him back towards the starting point, perhaps because of the journal format with day following day with little obvious pattern, I could never measure how far White had come towards his goal. And the last third or more of the book, which are mainly about White's efforts to trap birds of different sizes, lose momentum almost entirely. White is quite frank about his efforts as "a second-rate philosopher who lived alone in a wood, being tired of most humans in any case, to train a person who was not human," but of course the book is about the bird, not him. Macdonald's brilliance is to look into White's entire life, his homosexuality, his traumatic upbringing, and the sadistic tendencies he kept rigorously in check, to produce a psychosexual analysis that would have delighted Freud. Come to think of it, Marie Winn does something rather similar in her ten-page introduction to this edition, perhaps the best preface in any NYRB book that I have read. Either way, it needs this wider perspective. Without it, we get merely an elusive man in an ultimately frustrating struggle with an even more elusive bird. But a great writer.

The goshawk is such a peculiar book, written so far removed from a sense of what might be popular, or topical, from a sense of a book as something to be marketed in a business sense, as to be utter magic, a conviction on the part of the author that a book about the relationship between a man and a raptor, a goshawk tiercel ( we learn among many other things, this is what the name of a raptor is called) is compelling in its own right. The book never sold well, made White, living at the writing of this book, hand to mouth, almost no money at all, and wasn't published for fourteen years, and even then at the insistence of a friend who discovered the manuscript by accident. White would go on to make a fortune on a subsequent book, The Sword in the Stone, which draws from this book. White knew nothing about falconry, decided on learning about it from books, some of them ancient, and without instructions from contemporary austringers (sorry), with possibly the most difficult bird in the aviary. We learn much about falconry, and more inadvertently about the brilliant, tortured recluse who was T.H.White

I read this in preparation for reading highly anticipated Hi is for Hawk], sort of like reading the book before the movie, only reading the book before the book. And it's a gem in and of itself. A wonderful piece of reflection on training a hawk, which requires almost inhuman patience, in a time of upheaval in Europe and the world. But be warned: White had absolutely no idea what he was doing here, and his mistakes are sometimes difficult to read. But the writing is gorgeous.

I had no idea what a joy I was in for when I received this book. I excerpt here a bit of the author's description of his bird: "He was a Hittite, a worshipper of Moloch. He immolated victims, sacked cities, put virgins and children to the sword. He was never a shabby tiger." I read differently and look at birds differently since reading this. 100% five star endorsement - it's a treasure.

I felt that something was missing from this book, although it was a great chance to get to know T.H.White a little better, and from a different vantage point. I did enjoy reading it alongside "H Is for Hawk", as she refers to White's book so frequently. I learned quite a lot about hawking and about these amazing birds, and I think I'll forever be perplexed by the phenom of "bating", something scared and frustrated hawks do without reservation.

Loved this book. Exceptional author and he puts you in the moment.

Excellent read. i have been falconing so it spoke to me. It is difficult to estimate the appeal to someone who has not knowledge of the sport. The explanations of references in Shakespeare were terrific. I will now read "The Once and Future King.

The old classic on training the wild hawk as much as one can be trained. I discovered it by reading Helen McDonald's H is for Hawk. It was an instructive background.

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